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The premise and structure are very simple and fairly predictable: It’s a traditional road movie wherein a grizzled bounty hunter (Robert DeNiro) has to transport a mob accountant (Charles Grodin) across the country, with the mob and the police squarely on their tail. None of the action sequences take themselves too seriously, and none of comedy comes across as mugging, desperate to extract easy chuckles. Midnight Run, Brest’s follow-up to Beverly Hills Cop, perfects this fusion.
Instead of keeping the overall self-serious tone of the film and just inserting some out-of-place comedy set pieces into the narrative, Murphy and Brest infused a lighthearted tone across the entire project, while keeping the basic requirements of an action structure in place. His Beverly Hills Cop was originally written as a straight action movie, until Eddie Murphy was cast in the lead role. The ’80s created the textbook action/comedy formula, and director Martin Brest was smack dab in the middle of it. Stars: Robert De Niro, Charles Grodin, Yaphet Kotto, Dennis Farina, John Ashton For proof, look to the tense sequence wherein the team tries to abort a bombing mission at the last second. Of course the simple application of a brave moral standing doesn’t automatically make for a great movie, but it’s also hard to deny how pulse-poundingly effective Munich is as an old-school political thriller. It’s one of the rare Spielberg films that ends on a clearly bleak tone, without a glimmer of the silver lining the die-hard optimist usually inserts into the finales of even his toughest stories, a believer in humanity’s eventual appeal to their better nature, but Spielberg also recognizes that optimism must come with an understanding that cycles of violence only, eventually lead to destruction.
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It tells of the crack team of Israeli assassins who took blind revenge for the Palestinian act of terrorism during the 1972 Munich Olympics, how they gradually lost their humanity and plunged both sides into an uncomfortable moral grey area. Mark Rozemanīy far the most politically daring work in Steven Spielberg’s filmography, Munich must not have been an easy story to tell for the devout member of the Jewish faith and a defender of Israel’s right to exist. Bong’s bleak and brutal film may very well be playing a song that we’ve all heard before, but he does it with such gusto and dexterous skill you can’t help but be caught up in the flurry. Needless to say, this scenario hasn’t exactly brought out the best of humanity. Now, the last of humanity resides on “Snowpiercer,” a vast train powered via a perpetual-motion engine and governed by a ruthless caste system. Adapted from a French graphic novel by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette, Snowpiercer is a sci-fi thriller set in a futuristic world: Nearly two decades prior, in an ill-advised attempt to halt global warming, the government inundated the atmosphere with an experimental chemical that left our planet a barren, ice-covered wasteland.
It’s gory, imaginative, horrifying, beautiful, visceral and utterly glorious. Metal clashes against metal, and characters slash through their opponents as if their bodies were made of butter. Two armies engage in a no-holds-barred, slow motion-heavy action set piece.
There is a sequence midway through Snowpiercer that perfectly articulates what makes Korean writer/director Bong Joon-ho among the most dynamic filmmakers currently working. Stars: Chris Evans, Song Kang-ho, Tilda Swinton
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Here are the best free movies on Peacock right now: Whether it’s horror, drama, documentary, or westerns, Peacock has enough to keep you satisfied-and we’ll be updating this list every month to keep you apprised of the latest and greatest. November saw two films turnover from this list as Peacock seems to be settling on its library. Tons of well-loved filmmakers are represented, from Werner Herzog and David Cronenberg to Spike Lee and Steven Spielberg.
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Hiding behind the paywall (or the week-long trial subscription, if you want to binge some movies) are collections including animated classics-like Chicken Run-and Alfred Hitchcock favorites- Rope, Psycho, Rear Window, Vertigo and more-but on the free side of things, the pickings certainly aren’t slim.
The quality of films in its vast library are by and large quite good (that’s what happens when a studio starts its own streaming service), with the added bonus that it has a free, ad-supported tier-which is even better than the likes of Hulu, which still charges a monthly fee in addition to running commercials. Peacock might have an unassuming name compared to the beefy energy drink title that is HBO Max or the clear branding of Amazon, but the NBCUniversal streamer isn’t slouching with its offerings.